Category: Industry


Urchin Entertainment is excited to announce that it will be producing a QLD based music TV show over the coming months.

Entitled Verse Chorus Bridge the show will feature live bands, interviews, CD reviews and more.

If you are a band who would like to apply to perform on the show you can find out more information by visiting the Verse Chorus Bridge website.

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by Poppy Reid

 

The publisher of Eminem’s song copyrights, Eight Mile Style has filed an injunction against German automaker, Audi AG.

The publisher is taking action after Audi used Eminem’s 2002 trackLose Yourself in a website commercial for a 2012 Audi sedan.

One of the principals at Eight Mile Style, Joel Martin told the New York Post he is shocked that he was not approached for a licence to use the rapper’s track.

“No one has approached us for a license. I still can’t believe it. There is something strange about it,” said Martin.

Earlier this year, Eminem allowed the very same track to be used by auto company, Chrysler for an Imported From Detroit ad campaign spot during Super Bowl XLV. Martin said in a statement that Eight Mile Style believes Audi’s ad has disturbing similarities to the Chrysler advertisement.
“It is absolutely shocking. We believe Audi not only used Lose Yourself to sell their product without permission, but their spot actually feels inspired by elements of Chrysler’s commercial campaign.”

The case is being handled by German copyright expert, Thomas Schmitz who also made a statement.

“We have made the [Hamburg] Regional Court aware of the serious implications of this matter,” said Schmitz. “We have requested a cease and desist order and will also seek damages.”

 

 

http://www.themusicnetwork.com/music-news/artists/2011/06/07/audi-rips-off-eminem-track/

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Apple iCloud Solidifies the Cloud

People will remember the day Steve Jobs told them what they were really supposed to do with the cloud.

Steve Jobs and the Cloud

The introduction of iTunes Cloud is what’s known as an inflection point. It’s beyond the “post-PC” era Steve Jobs described in his last major public appearance and rolls aggressively forward towards a full-scale demotion of PCs and laptops from centerpieces of our digital lives to things we think of as simple “devices.”

While Apple didn’t fully adopt my vision of the end of content ownership, the company has unshackled much of it from the confines of a single device. With iCloud and, especially iTunes Cloud, Apple’s finally acknowledged that it does know who you are and what you own. Apple’s cloud strategy will very likely be the thing that takes the cloud from a fuzzy concept to something real, concrete, and desirable.

Apple’s cloud covers a lot. It’s like a blanket over every part of your digital life, encompassing photos, documents, email, contacts, schedules, and, of course, music. Suddenly, the Apple ecosystem—which used to comprise a piece of hardware, the iTunes software, the App Store, and content—now includes all of your Apple content-consumption hardware. If you’re logged into any of them, your experience should be the same.

Google’s plan is similar. One account, many gadgets, a ubiquity of content access. But Google has stumbled badly on the music front. Major music labels are not working with the company and Google’s music locker is just a place to upload DRM-free music you own. You can’t buy major label music in the Google cloud and play it from there or download it to all of your Android or Chrome devices.

Buying music once and using it virtually everywhere is cool, and I’m honestly astounded that Apple has apparently gotten all its music partners to agree to let iTunes members have the same music collection across up to 10 devices. The bigger news, though, was Steve Jobs’ famous “one more thing” reveal at WWDC.Now iTunes Match will take all that music you ripped off your old CD collection and match it up with Apple’s 256kb, AAC, DRM-free music.

That sounds like a pretty smart, straight-forward idea, but if you stop and think about what Apple just did, you’ll realize it’s huge. With iTunes Match, Apple somehow convinced all the music labels to waive fees for any copy of ripped music Apple deems to be an iTunes match. It did this, I think, by getting enough money from consumers upfront that music industry partners will still get their cash.

So iTunes customers who want Match pay $24.99 a year. This is more or less a music subscription fee. You rip as much music as you want (or own) and Apple gives you fresh files for whatever it can match from its own library. Once you’ve done this, you own that music forever. No other rival with a music delivery system, not Amazon, not Google, not Microsoft had the clout to pull this off.

How Apple convinced its music partners that this was a good idea—which it is—I’ll never know, but I would’ve loved to have been a fly on the wall during the negotiations.

Apple is not inventing anything here. Cloud-based services are everywhere. Google’s been doing it longer and Microsoft has spent millions trying to educate consumers on the concept. I like Google’s cloud services and use them. Microsoft’s marketing efforts have, more than any other, made consumers ask the question: “Do I need the cloud?” Unfortunately, I’m not sure any of these efforts have helped them better understand the cloud.

By marrying cloud services to virtually all of its most widely used services and making most of it free, I think Apple does the best job of educating consumers. When they think about iCloud and iTunes Cloud, Apple customers will think content and content access. They’ll think about all the time and, most importantly, money they’re going to save when they can stop re-buying content. They buy an ebook from iBooks once. They buy a song from iTunes once. They can stop worrying about upgrading from the iPod to the iPhone or the iPad to the iPad 2 and losing access to that content or having to port it from the older device to the newer.

It should also please consumers that all that cloud-based content does not count against the free 5G of cloud-based storage iCloud provides to each service member. Considering how quickly videos and music could eat up that space, it could not have been any other way.

The Other Side of the iCloud

Naturally, there are questions. Apple’s cloud, for example, stands ready to back up and access cloud-based content at virtually any time. This means that when your iPhone is in your pocket or your iPad is in your backpack, it’ll be doing more than getting email and accepting push notifications. It could also be doing the resource- and relatively battery-intensive job of transferring large image, video and document files to and from Apple’s iCloud.

But when I asked one Apple rep about the impact on battery life, he said he didn’t know. My guess is that there could be some nasty surprises associated with this feature.

The iCloud promises to store photos (and videos) from your camera roll in the cloud and backup the last 1,000 photos on all your iOS devices. Your entire library, however will live on your Mac or PC. Having constant access on any upcoming iOS 5 device to hundreds of your most recent photos appeals to me, but I worry that Apple still hasn’t addressed how I’ll back up my photo library and what happens if and when the hard drive on my Mac or PC finally fails.

In this instance, I’d say Apple is missing one of the core benefit of the cloud, which is secure, extensible offsite storage.

For all that Apple did on the music front, it did stop short of introducing an all-you-can-eat music-streaming service. Considering all that the company convinced music industry partners to do, this seems odd. Why not add another $25 to the yearly iTunes Match fee, so that for $50 a year, iTunes customers gain digital access to their old-school music library and can stream all the new stuff, too? For all we know, Apple did suggest just such a service to the music industry, which likely would have balked.

Apple’s content syncing is based on your iTunes account info. Sign in and iTunes will try to synch you up across all your iOS devices. That makes sense, but I wonder how this will play out for families that share account information, but not iTunes library info, on various devices.

In other words, Bobby and his mom have one iTunes account so she can track what he purchases on his iPod Touch, but Bobby and his mom have two different iTunes libraries of music, apps, movies, etc. for their two different devices. Will iCloud choose one library and synch all the content? That would be a disaster.

Speaking of disaster, some consumers consider Apple’s iTunes software as the worst of all music management software choices. I certainly agree it could be a lot better. Apple’s iCloud offers no relief. The application will remain local and while it may benefit from the easier management of cloud-based music synchronization, I don’t think iTunes Cloud is a panacea for this frustratingly bloated and modal interface.

These concerns are not insignificant, but by and large, Apple has done right by the cloud and I bet Steve Jobs made you want it more, and now you even know why.

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I love reading Ariel Hyatt’s blog. she has such sensible and practical advice for musicians. Here is her latest entry.

My Goal for 2011 is to help artists reach theirs… To that end I’m raising my glass to MORE!

1. More Support For Each Other

It takes a team to launch any effort, whether it’s releasing an album, getting a song licensed or just getting more fans and followers. I see all too often artists going for it all alone without any help and support – some sadly don’t even get support from fellow band mates – because they have made up a story that unless they have a professional full time manager or a booking agent that they can’t get help. It’s very powerful when artists who are creative and brilliant at making music bond together and help each other make connections and make a difference for one another.  I’m so sick of reading blog posts with people saying the reason no one has success is because most artists suck.  It’s just not true. There is a ridiculous amount of non-suck out there.  Stop hating, and start allowing other peoples light to shine….

What You Can Do:

1. Create a house concert at your place (or a friend’s house) and invite another solo artist or a band to play it with you! Cross promote to each others lists.

2. Review an album by an artist you love and respect and post it on iTunes and Amazon. It’s simple and it kind.

3. Tweet, Blog, create a video of the week feature on your Social Networks, or recommend another artist to a lot of your Facebook friends and say why you are suggesting them.

2.  More Artists Making a Living…

Topspin’s Ian Rogers (http://www.topspinmedia.com/ian-rogers/) estimated this year that approx 30,000 artists are making full-time livings. It’s a start but I want to see what Hypebot’s Bruce Houghton (http://www.hypebot.com/about.html) calls The Rise Of The Musical Middle Class.  We launched over 150 Cyber PR campaigns last year that helped artists expand their fan bases and online presences.  It’s one step of many that artists need to take to achieve this dream.  I’ve seen it many times, but I want to see more of it.

What You Can Do

1. Set your short-term goals for 2011 and your long term goals for your musical career. Be sure to make them measurable and achievable. It takes time to get there and having a road map will make it that much easier!

2. I use and advocate a great system I learned from T. Harv Eker, It’s called “Your 5 Successes” where you write down 5 successes each day: Little ones like “did laundry” and bigger ones like “booked a gig.” Keep a notebook of all of your successes as you go through the year to remind yourself of completing small victories. (Granted this will not help you to make a living, but it will stop the demons in your head from self-crucifixion on a constant basis).


3. More Rocking the Social Media Strategies

After traveling to 8 countries and speaking at countless US-based conferences, I’ve seen the same thing over and over again: Artists’ eyes glazing over at the mention of all of the online work and web tools they need to master to engage their fans. It’s completely confronting for so many artists.

What You Can Do

1. Get someone to help you! It doesn’t have to be a professional social media firm; a friend or young family member who is great with video editing and uploading or super social on Facebook can make a huge impact on your behalf. (They should not pretend to be you just make sure it’s transparent for all.)

If you don’t have anyone to ask, try posting on http://www.EntertainmentCarrers.net for a capable intern.

2. There are a lot of great blogs and books to read on how to beef up your Social Media know how. I lovehttp://mashable.com for keeping up with trends and finding out about useful tools and apps. And of course there are many great music bloggers with plenty of how-too tricks and tips. Follow me (@CyberPR) and some of my favorites on Twitter for updates: @CarlaLynneHall @Hypebot@MusicSuccessin9 @musiccoaching @MusicThinkTank @Miccontrol

4. More Consistency…

It TAKES SOMETHING to send a newsletter every single month, it takes something to engage fans. It takes coming up with things that are interesting to say, great offers to give, and the ability to GATHER email addresses.  Just like it takes something to lose weight – it never happens overnight.  Your success depends on your consistency.

What You Can Do

1. Make it one of your main goals to construct an enticing email and send it to your list at least once a month.  Don’t know how exactly to do that?  Cool, I got you: http://bit.ly/Ariels3Gs

2. Don’t have a list manager? Use ReverbNation, Bandletter or Fanbridge. They all rock mightily.

5. More Fan Funding

I love it and I love watching artists succeed using it.  My word of caution: Know your limits. In the world of fan funding creating a goal like “$15,000” may feel possible but ask yourself: How much did I earn in the past 12 months from my music and what would a reasonable goal be to reach for? If you sold $500 worth of music in 2010 than a goal of $1,000 (twice what you made the year before may be smart, instead of setting yourself up for failure and shooting for a massive number.

What You Can Do

1. Check out these fan funding sites and get in touch with them to see which one is the right fit for you.  Benji at Pledge and Brian at Rockethub will help you set appropriate goals and stay on track to get any project fully funded.

http://www.pledgemusic.com

http://rockethub.com/

6. More Young Entrepreneurs

I want more peers!  I want more people taking this industry by the horns and making solutions that work.  This year I sat on panels and connected worldwide with incredible entrepreneurs, writers, teachers and go-getters who are making healthy livings from this crazy business.

What You Can Do

1. If you like a certain music startup, or feel like a cool entrepreneurial company has helped your career in some way, TELL EVERYONE!  That’s the best thing you can do.  Blog about them, tweet about them, and tell all your peers to work with them but for goodness sake don’t keep it all to yourself!

7. More Reality Checks

The BEST blog post I read on success around creativity in 2010 came from Derek Sivers. I have worked with many artists who are pushing and forcing themselves to “succeed” without looking at what success really means to them. Here’s an excerpt:

“When someone creates something that is really important, powerful, and valuable to them, it’s hard to imagine that it’s not important, powerful, and valuable to others….But money only comes from doing something valuable to others…. If you stop expecting your art to be valuable to anyone but you, your conflicted mind can finally be at peace.  Do it only because you love it, and it honestly doesn’t matter what anyone else thinks…You’ll probably be happier with your art because of this change in mindset.  Ironically, others may appreciate it more, too, though you honestly won’t care.”

Read the whole awesome post: http://sivers.org/starving-artist

What You Can Do

1. Read this post: http://sivers.org/starving-artist  You will be inspired

Here’s to an AMAZING new year to you all!

x Ariel

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The Music department at Metropolitan South Institute is starting 2011 with some new beginnings that will benefit all new students. With new courses, teachers and projects it is an exciting time to be studying music or music business.

2011 will see the implementation of brand new courses, especially designed to teach students about the music industry in 2011 and beyond. If you want to learn how to become a better player or are serious about a career in the music industry these courses will teach you all you need to know to achieve your goals.

In other exciting news MSIT welcomes industry identity Tim Price to the team. Tim has had valuable experience in a number of areas of the industry, working as a venue and event manager, for digital aggregator Musicadium and for local promotions and management company Mucho Bravado.

Tim is also a working musician and with his band Transvaal Diamond Syndicate gigging regularly in 2010 and capping off a fantastic year by taking out the Number 1 spot on the 2010 4ZzZ Hot 100 Tim will have a lot to offer both music and music business students.

Music students at MSIT will enroll in a Cert IV which has pathways to Diploma and will be trained in practical musicianship and performance skills, be introduced to a range of music technologies, study music theory, musical styles and song writing and develop an understanding of the inner workings of the music industry. Other learning includes music industry and copyright knowledge and working closely with the music business students in a variety of performance and other professional opportunities.

Music Business students will learn how to run a music related business by assisting with the administration of the class business Urchin Entertainment. Students will gain hands on experience in the management of real music artists, how to start and manage their own business, effectively market music using e-marketing and other tools, manage music events, benefit from important copyright and contract information and participate in exciting class projects such as the management of regular gigs, the making of annual CD Original Allsorts and a new DVD project that celebrates QLD music, Verse Chorus Bridge. The Cert IV course has pathways to Diploma and beyond.

Courses commence in late January and are filling fast. If it is your New Years resolution to make something of your music career visit the MSIT website: http://www.msit.tafe.qld.gov.au/, call 1300 657 613 or contact Andrea on andrea.smith@deta.qld.gov.au and make music or music business at MSIT your new beginning.

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